Five Netflix movies that completely ruin your evening and why you should watch them
Some movies leave you smiling. Then some movies sit with you like a lump in the throat you cannot swallow. The kind that unravels something inside, quietly, while the credits roll in silence. This is not a list of feel-good Netflix films. These are the ones that ruin your evening in the best way possible.
To ruin an evening is not always a bad thing. Sometimes, some movies hit you so hard emotionally that it lingers. It makes you rethink a conversation, a decision, or the way you understand grief, loneliness, or connection. These films do not aim to entertain. They aim to disarm.
The discomfort is the point. The tension, the unease, the quiet collapse of relationships or reality: all of it pushes you somewhere real. These films are raw, strange, and sometimes unwatchable. But that is what makes them unforgettable.
So here they are. Five films that will leave your heart heavy, your mind restless, and your evening absolutely ruined.
Five Netflix movies to completely ruin your evening
To The Bone (Marti Noxon, 2017)
To the Bone is not an easy watch, and it is not trying to be. It follows Ellen, a young woman dealing with anorexia, as she enters a group recovery programme. The film does not sensationalise the disorder. Instead, it shows the everyday struggle, the quiet shame, and the desperate desire for control. The dialogue is raw, the atmosphere is tense, and the emotional honesty makes it feel less like a film and more like someone telling you their truth.
You should watch To the Bone because it opens a door into a world many fear to speak about. It is a film about survival and the slow, fragile journey toward healing. It does not tie everything up with a bow, but it shows that progress is not always loud. Sometimes, it is just showing up.
Mudbound (Dee Rees, 2017)
Set in the rural South after World War II, Mudbound is a powerful story about two families. One Black, one white, struggling with poverty, racism, and war trauma. The land they share binds them together and keeps them apart. Told through shifting perspectives, the film captures personal pain against the backdrop of systemic cruelty. Every frame feels weighed down by generations of grief, resentment, and unspoken truths.
You should watch Mudbound for its humanity. It does not offer quick fixes or heroic gestures. Instead, it sits with the discomfort of inequality and lets the characters breathe within it. The performances are remarkable, and the film’s slow burn leaves an imprint long after the credits roll.
Eli (Ciaran Foy, 2019)
On the surface, Eli looks like a simple haunted-house horror film. A boy with a mysterious illness is brought to a secluded medical facility for treatment. But as his time there stretches on, reality begins to fracture. The sterile white corridors hide something monstrous. What starts as a clinical horror story evolves into something far darker and more psychological.
You should watch Eli because it messes with your expectations. The horror is not just external; it comes from the body, the mind, and the fear of being broken beyond repair. It plays with genre conventions in clever ways and delivers an ending that is both disturbing and oddly emotional.
I’m Thinking of Ending Things (Charlie Kaufman, 2020)
This is not a film you watch. It is a film you fall into. And then drown in. I’m Thinking of Ending Things begins as a quiet road trip and slowly unravels into a psychological spiral. Time stretches, identities blur, and you are left grasping at pieces of meaning.
It is uncomfortable, slow, and entirely disorienting. But it captures the loneliness of a fading connection and the confusion of self in a way few films dare to. You do not finish it with answers. You finish it with an ache you cannot explain.
All My Friends Hate Me (Andrew Gaynord, 2022)
What starts as a social comedy turns into a slow descent into paranoia. All My Friends Hate Me is one of the most awkward, quietly tense films in recent memory. You are laughing one minute and squirming the next. Every interaction feels like a test.
It is not loud or flashy, but it gets under your skin. It exposes that deep, uncomfortable fear that maybe you do not belong. That maybe, just maybe, the joke is on you. It will not just ruin your evening, it will make you overthink every friendship you have ever had.