Five best series to watch if you’re in the mood for Noir on Netflix

You know that feeling when the light and cheery shows on Netflix suddenly feel too… clean? It’s like your brain wants something with shadows and secrets and something dark, which might induce a nightmare? Okay, a nightmare may be too far, but that is exactly what a noir mood looks like, and it hits with literally no warning.

Netflix has a surprisingly solid stash for moments like this. And please, this is not your “cigarette smoke and saxophone solos” noir you were force-fed in college. This one builds the tension with the atmosphere gradually so that by the end, you are fully captivated. Imagine characters who clearly need sleep but choose violence instead. There, there, you have got your perfect Netflix show for Noirvember.

The best part? These shows scratch the Noir itch without expecting you to decode symbolism or pretend you know French New Wave history. You get stylish shadows, complicated narratives, and that delicious feeling of lack of trustworthiness for a couple of days without needing a cinematic dictionary.

So if your mood today is leaning more toward stylish gloom than sunshine and rainbows, these are the five shows that will get you there instantly.

Five best Netflix series to watch if you love Noir

Five Came Back (2017)

Falling into Five Came Back feels like eavesdropping on the origin story of every shadowy, tension-filled frame you have ever loved. Initially, it looks like a documentary, but do not let the format fool you. The energy is pure Noir ancestor territory. The series dives into the wartime experiences of five legendary directors whose work basically shaped the dark, morally tangled tone that later defined the genre.

Hearing modern filmmakers break down those moments gives the show a very gripping pull. These stories are intense and too messy, while they are also quite emotional. Consuming a mix of all these, you start to understand exactly why Noir grew teeth in that era. It is not loud or leaning too much into goth; rather, it’s creepy, which is exactly why it earns its place on this list.

The Beast in Me (2025)

If we were to describe the energy of The Beast in Me in short, it would be something matching trusting a person or switching houses. Claire Danes plays a writer whose creativity has flatlined, and instead of taking a break or touching grass like a normal person, she goes in deep when a new neighbour shows up. Matthew Rhys is the sus neighbour who walks in with a smile but also brings in a calmness which is quite creepy to trust. Imagine when something bad is about to happen, and your instincts go full rogue.

The beauty of the show is in its tightening grip. The house feels too quiet. The conversations feel too careful. Every scene hints that something is off, but nobody is willing to say it out loud, which is peak Noir behaviour. Danes plays the character with surgical precision, and Rhys complements the creeps with danger so smoothly that you never get a moment to relax. It was released quite recently on Netflix but is already topping the charts.

Being Eddie (2025)

You might be wondering why a documentary about Eddie Murphy is sitting in a noir list, and honestly, it’s a fair question. But Being Eddie earns its spot because Eddie Murphy’s life story carries more shadows, reinventions, sharp turns, and brutally honest truths than half the thrillers on Netflix. The man has lived enough lives for three different genres, and this series peels back those layers with the intensity that noir fans will instantly recognise.

What makes it fit is the way Murphy moves between humour and vulnerability. One moment, he is cracking jokes; the next, he is speaking with such honesty that it’s hard to believe that it’s true or happened for real. And that contrast is exactly what gives the doc its noir pulse. It is reflective, very, very human, and filled with some heavy confessions that stay with you. By the time you’re done, the genre blend makes perfect sense because darkness does not always need detectives… Sometimes it just needs the truth.

Ripley (2024)

There is literally not a single person out there who’d refuse to watch something that stars Andrew Scott. Our hot priest isn’t the nice, understanding “father” as always; as he shifts tone in Ripley, he has a different colour going on. And honestly, that’s what Ripley is all about. This series dons the noir list like it already knows it belongs here. Scott’s Tom Ripley is a completely grey-shaded character here. The show takes Patricia Highsmith’s classic story and amps up the tension.

Scott’s performance is outrageous in the most amazing possible way. He plays Ripley with this soft, deceptive charm (which he just can’t turn off) that feels almost hypnotic. One moment you are intrigued, the next you are uncomfortable, and suddenly you realise you’ve been pulled into his world without noticing the shift. The show understands patience and silence and, most importantly, atmosphere better than most thrillers on Netflix, and it uses all three to wrap you into a story where nobody’s intentions stay clean for long. If you want noir that feels luxurious and lethal together, Ripley is the exact place to go.

Dept. Q (2025)

Dept. Q, one of the most successful shows of Netflix 2025, is exactly the type of content you turn on when you want a detective who clearly does not want to be anyone’s emotional support system. Carl Morck (Matthew Goode) has already had enough of life for the entire decade, and that’s exactly what makes him instantly fascinating. He gets shoved into this tiny, forgotten department that handles cold cases no one else wants to touch, and the way he reacts? It has ‘noir’ written all over it. He is annoyed, he is obsessed, he is totally mysterious. What more do you want?

What makes it fun to watch is how the cases start crawling under his skin in ways he absolutely did not plan for. Every file he opens comes with secrets, old wounds, and at least one detail that bugs him constantly. And Carl is the type who pretends he does not care while very much caring. The whole show has this steady pull that keeps you leaning forward without overwhelming you. It is Noir with personality, which is exactly why it closes the list so neatly.

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